Editorial Note
“Moss Berry: A Small Red Round Berry” is a lyric poem rooted in the sensory and relational experience of harvesting moss berries on the land. As a contribution to this special issue on Land-Based Teaching and Learning, the poem enacts what it describes: knowledge passed down not through instruction alone, but through doing- through cold boat rides, Kokom’s voice, and hands learning to pick carefully along a rocky shoreline. The land here is not backdrop but teacher, and the berry is not simply food but a vessel of memory, belonging, and intergenerational connection.
A small red round berry,
so small, yet so powerful-
packed with vitamins and minerals,
nourishment from the land.
A small red round berry
that carries memories
of my upbringing.
Long, cold boat rides nor
th with family
to gather the small red round berry.
The motor pulsing through my head,
humming across the water.
Waves splashing the side of the boat,
reaching up to my face.
Cold fall wind
brushing my cheeks
as I think of
the small red round berry.
We pull up to rocky islands
-moss, pine trees,
and the quiet breath of the land-
searching for the small red round berry.
Kokom hands out pails,
reminding everyone
to be safe.
I sit by the shoreline,
waves touching the rocks,
carefully picking
the small red round berry.
The smell of earth
fills my nose-
a reminder
that we belong
to the land
and the water.
Connected.
I have gathered
the small red round berry
many times.
So bitter,
so sour-
and yet
so sweet.
A taste of memory,
a taste of home.
A small
red
round
berry.
About the Author
Editor's Remarks
Jasmine Dumas’s poem, “Moss Berry: A Small Red Round Berry,” quietly illustrates the key principles of land-based pedagogy, emphasizing that harvesting extends beyond gathering food. Through the repetition of the phrase “a small red round berry,” the author establishes a meditative structure that reflects the act of picking-patient, deliberate, and returning to the same gesture with increasing significance. The word “Connected,” positioned alone at the center of the poem, serves as a profound pedagogical statement, encapsulating in one phrase what many academic texts struggle to convey. Kokom’s role-distributing pails and ensuring everyone’s safety-anchors the poem in the relational ethics of land-based learning, where knowledge is transmitted through relationships and care. This is a mature and poignant piece of work. (Dr. Ying Kong)